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The woman asked the girl to leave the tram, because she was Asian, so it was just based on her appearance. One of the drawings is the conversation between a white woman and a 15-year-old Asian girl in Sweden. What motivates you to add a new illustration to the series? So it was quite natural to bring up this issue and write and draw about it. My Instagram account, in general, is dedicated to writing and drawing about international adoption and racism against mainly East Asians, because I’m Asian myself. I think the first time I saw it, it was actually in French. I didn’t come up with the hashtag myself. What sparked you to start this illustration series? How did you settle on “I am not a virus” as a title? But the government really great about it, I think, and our prime minister is handling it really well. Hopefully, it will lead to something good in the end.
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We’re in a bit of a crisis, to say the least. If they can’t work from home, they still have to stay at home. Everything is closed, and everyone is working from home. This interview has been edited and condensed for clarity.
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The PBS NewsHour spoke with the artist, who is now based in New Zealand, about her inspiration behind the “I am not a virus” illustration series, and how to approach conversations about racism with children. Currently, Sjöblom is working on a Swedish children’s book on “the sometimes excruciating experience of being the only, or one of the few, POC children” in a classroom and how “to make one’s community understand why it’s necessary to be inclusive.” Her latest comic book, to be published next fall, is about three Chilean families who were illegally separated for adoption in Sweden. Her comic book memoir, “ Palimpsest,” follows her upbringing as a Korean adoptee in Sweden and was named one of the best graphic novels of 2019 by The Guardian. “You’re very conscious about yourself and if you cough and you feel really surveillanced.”Īs a cartoonist and graphic designer, Sjöblom’s work aims to broaden the representation of people of color, with a particular focus on East Asians. “It’s more like a feeling that you recognize when you are used to being subjected to racism, which is glances and people moving away,” Sjöblom said. Sjöblom highlighted how racism against Asian people in the age of COVID-19 is not limited to verbal or physical attacks, but subtler actions as well. A 15-year-old girl of Singaporean descent, born and raised in Sweden, was tapped on the shoulder by a young woman who, after first mentioning the coronavirus, asked her to get off the tram. This comic was inspired by a real event reported in Gothenburg, Sweden. The Stop AAPI Hate initiative has received more than 750 direct reports of discrimination against Asian Americans in the U.S., where women were three times more likely to be targeted and 61 percent of respondents were non-Chinese. Baseless business boycotts and vandalism have targeted other East Asian communities as well. It’s manifesting in customers disappearing from Chinatown districts in some Western countries, and aggravated assaults against the Asian community. The Asian community went “from being invisible” to being “hyper-visible, but as a virus or as a carrier of a virus,” said Sjöblom.Īs novel coronavirus spreads around the globe, so have xenophobic misinformation, harrassment, discrimination and insults. The movement has also inspired other illustrators on Instagram to create art in response.
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The title of her series stemmed from a hashtag, #IAmNotAVirus, that was started by French Asians in response to racist incidents on public transportation and through social media. Sjöblom’s images, shared on her Instagram account, tackle the racism directed at the Asian community since initial cases of novel coronavirus were reported late last year in Wuhan, China. The white woman sitting beside her says, “Shouldn’t you get off this tram?” Inspired by recent events, Korean-Swedish artist Lisa Wool-Rim Sjöblom is addressing the hostility Asians increasingly are facing during the COVID-19 global pandemic in a series of one-panel comics. A morning commute becomes tense as an Asian girl looks up from her phone in disbelief.